This is an announcement for a fun event with a very well known Albanian artist, brought to Peshku pa Uje by Bana. To get further information please call: 917-351-1213
Do te doja te lajmeroja komunitetin shqiptare ne USA per nje koncert benefit per legjendat shqiptare Vace Zela e Nexhmije Pagarusha . Fotografi i njohur shqiptar, Fadil Berisha, organizon kete koncert , te dielen, me daten 4 mars 2007 ne oren 8:00pm ne klubin 230 Fifth qe ndodhet ne Manhattan. Kengetarja e talentuar Aurela Gace ne bashkpunim me formacionin “Alba” te drejtuar nga Edmond Xhani sjellin kenget te mrekullueshme qe dikur i kemi degjuar te kenduara nga Vace Zela e Nexhmije Pagarusha. Koncerti do te drejtohet nga Tefta Radi.
Ejani e merrni pjese ne kete nate nostalgjike…
Per informacione te metejshme mund te telefononi ne 917-351-1213
New Job
‘ No Shleeeeep! No Shleeep!’
The cry startled me so much that I jumped my hot coffee straight into the pants of my brand new employer Dr. Testadura. His face turned red and his pants turned a deep brown where the coffee splashed.
“I am so… so sorry, sir, – I stammered, grabbed a whole bunch of napkins and started to pat him dry.
“Miss Miller, what do you think you are doing?’ the good doctor asked, one split second before I realized I was rubbing his crotch. I froze then I took my hands off immediately. My cheeks were aflame and my mouth was dry.
‘I am going to get cleaned up before the meeting with the Vasoroffs. Try not to do any more harm, ok?’
‘Yes, doctor.’ I murmured.
‘And I need you in my office after you are done with settling in the patients’
‘Yes doctor’ I murmured again and went to throw away the damp napkins. (more…)
Strong short thighs and sturdy square heels,
She walks undaunted with her head up high
Permed dark hair with gray roots, frozen to the hilt
Her arms shake to the rhythm of the street
One wields a big brown bag
The other a beige umbrella
I imagine the children that proud body held
And the whole world plays on that muscular back
I bow for I will never be
This rough wonder of nature
Excellent translation provided by memo meto:
(more…)
She’s washed the last glasses, the plates,
The forks, bachelors of aluminum
On the elbows like a pensive phalanx
Trickling are
The bubbles of the greasy froth
Each time the keys rattle in the dark
She feels as if she’s still closing
The alehouse shutters
A plate, that often broke to her when washed
The moon chips over the mountain
Where the shepherds sleep
And the sheep dressed as shepherds
She sleeps now within
Right inside the shriek
Of the key in its hole
This bat that if it had eyes
Would have cried
(more…)
man such a pretty good red wine. the blood of the christ. did i ever say white wine is for wussies? who knows what veins it came from?
there is one beautiful bottle left which i pry away from the protective knee of my eternal crush. at the moment, i am very happpy to see the wine bottle. you know, my lips are black, my tongue is totally moldy and burning and my teeth are shot. but i need another glass of wine. man i am not such a good muslim woman after all.
(more…)
I have often been compared to a wild goat. For those unversed in the Southern Albo granny language, it means that I am a strongheaded stubborn woman, who, like a wild goat, will jump from cliff to cliff, and willl not settle down for a nice sheep Albo boy, at a piece of a sunny mountain side.
How did I turn into a goat? I do not know. What I know is that goats are hairy, smelly and with beards, but there the similiarities end. To prove to the grannies that I am God’s beautiful meek sheep, and not some wild harridan smelly she goat that does not like to be milked or be part of the herd, I went to find my charmer. Anyway, it is the jorney that matters, not the horned ram in the end. Or that is what I was taught to think in case it did not work out.
(more…)
My friend ER, send this to me. It sounds very interesting, and it is good to support artists that we like.
Love to see you there
Blete
Return/-Departure This Sunday the Abingdon Theater hosts Return-/Departure, a preview of video work from Kosovo and Albania.
The works, produced by Driton Hajredini, Alban Muja, Nikolin Bujari, and Alban Hajdinaj, engage the conditions of inherited context and periphery through structures of religion, sex, vandalism, and WWF Wrestling.
Please join independent curator Chris Reitz (New York) in conversation with artist Driton Hajredini (Kosovo) after the screening for drinks and some light Q&A.
Doors open at 7:30, screening starts at 8.
Sunday, February 18th 8 PM
Abingdon Theatre 312 west 36th just west of 8th Ave